LEXICON MPX 1 MULTI PROCESSOR
• multi-effects and Lexicon quality reverb without compromising sound quality
• 56 effect algorithms
• discrete stereo or dual mono processing
• 90dB of dynamic rang
• up to 5 simultaneous stereo effects routable in any configuration, with individual mix • and gain for each effect
Code: AA-FX01
LEXICON MPX500 DUAL CHANNEL PROCESSOR Legendary digital compressor with four Lexicon reverb from proprietary Lexichip™
• 24-bit internal processing and A/D/A conversion
• selectable 44.1 or 48kHz sampling rate
• 255 presets and 64 user programs, including a compressor bank
• dynamics algorithm with enhanced metering
• dual programs that combine two independent effects in four routing configurations
• multiple delay, modulation and pitch effects
• built adjustable parameters
Code: AA-FX02
TC ELECTRONIC D-TWO DELAY
• bit resolution A/D and D/A converters and true 24 bit RAM memory
• rhythm delay/rhythm tap
• reverse delay effect processes the signal, and adds a backward delay
Code: AA-FX03
TC ELECTRONIC M300 • high density 24-bit processing and AD/DA conversion
• digital In at 24-bit S/PDIF ensures bullet-proof input connection
• if 'Digital In' fails, the M300 automatically switches to analog!
• provides MIDI In/Out, MIDI clock tempo sync, pedal control of tap tempo and global bypass
Code: AA-FX04
PROCESSING
DPR 504 - 4 CHANNEL NOISE GATE Each channel features:
• a parametric key filter with key filter listening
• simultaneous key level and threshold metering with average and peak metering
• gate status LED
• a RELEASE/HOLD control (hold tracks proportionally with release times)
• attack switchable auto/fast (auto tracks signal dynamics for optimum setting)
• link (links two channels together)
• range switch selects between 7OdB and 2OdB gating depth to provide alternative release profiles
• electronically balanced inputs and outputs
Code: AA-PR01
DPR 404 - 4 CHANNEL COMPRESSOR
With high frequency de-essing.
Attack and release time constants
are automatically and continually
regulated by dynamic and harmonic
content of program material. The unit
features electronically balanced
inputs and outputs.
Each channel features:
• threshold control
• below threshold metering
• ratio control
• gain reduction meter
• clip LED
• gain control
• linking
• high frequency de-esser
Code: AA-PR02
FDS 360 - CROSSOVER Stereo 2-way or mono 3/4-way fixed frequency fourth order crossover
Features:
• separate mid-filter frequency band limiting
• polarity switching
• up to 360 degrees of phase correction
• auto muting circuit, mono low linking
• LEDs for limiting, signal, mutes and mode status
• interchangeable frequency cards
• rear barrier strip for inserting processing, such as delay lines for time-alignment • or graphic equalisers for system EQ, into each band
Code: AA-PR03
FDS 366 - CROSSOVER
One FDS-366 can drive a true
stereo 3-way system, or
3 bi-amp outputs for monitors.
Add more units and MIDI
slave linking to make stereo
4, 5 and even 6 way systems.
Typical applications: • stereo 3-way
• stereo 2-way plus sub from input C
• triple bi-amp for stage monitors, with delay and EQ
• dual tri-amp for stage monitors
• 96kHz studio monitoring systems
• LCR monitoring systems (post-production)
• 6-way systems
• 4-way plus 2 full range outputs with separate delay and EQ
• 6-way Zoning (full range outputs, giving delays, EQ and limiters • on all zones)
Code: AA-PR04
FCS 996 - 31 DUAL BAND GRAPHIC EQUALISER
Control descriptions:
FADERS
30 EQ filter faders on ISO centres, each with nominal +/- 15dB of gain
HP FILTER
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz
LF CONTOUR
Smooth shelving filter, +/-6dB of gain at 50Hz
HF CONTOUR
Smooth shelving filter, +/-6dB of gain at 14kHz
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points
LED METER
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.
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